Wrong Number

The Cure

Transposer:

Intro:       verse 1: Lime green lime green lime green and tangerine Are the sickly sweet colours of the snakes I’m seein’. Lime green lime green and tangerine Are the sickly sweet colours of the devil in my dreams. verse 2: Lime green lime green lime green and tangerine Are the sickly sweet colours of the snakes I’m seein’. Lime green lime green and tangerine Are the sickly sweet colours of the devil in my dreams. verse 3: It gets to Friday and I give you a call "You know I’m getting kind of worried. No she doesn’t seem herself at all... Lime green and a sickly kind of orange I’ve never seen her like this before... " verse 4: I had the best laid plans this side of America Started out in church and finished with Angelica. Red and Blue Soul with a snow white smile "Can you dig it?" VERSE 5: I had the best laid plans this side of America Started out in church and finished with Angelica. And now I’m digging in the dirt and I’m down here for a while... You’ve got to make up your mind and make it soon Is there room in your life for one more trip to the M-o-o-n? Is there room in your life for one more... Instrumental:       VERSE 6: Burn red burn red burn red burn red and gold Are the deep dark colours of the snakes I hold. Burn red burn red burn red and gold Are the deep dark colours of the Devil at home. VERSE 7: "She pulls me down just as I’m trying to hide Grabs me by the hair and drags me outside. And starts digging in the dirt... For a not so early bird it’s the only way for her to get the worm... VERSE 8: "I had the best laid plans this side of America Started out in church and finished with Angelica. Red and blue soul with a snow white smile "Can you dig it?" VERSE 9: I had the best laid plans this side of America Started out in church and finished with Angelica. And now I digging in the dirt and I’ll be down here for a while... verse 10: "Hello? Hello? Are you still there?" ... And much too late...   "... ’Sorry... Wrong number... " Doh-doh-doh-doo-doh. CODA: Doh-doh-doh-doo-doh Doh-doh-doh-doo-doh.

Du même artiste :

empty heart empty heart Dm, F, C, A, G
empty heart empty heart Am, D, C, Bm, A, Em, F
empty heart empty heart Am, C5, D5, G, C, F, Dm, D, A, E5
empty heart empty heart F#m, A, D, Dbm, Bm, E, Fm, G#m
empty heart empty heart C2, Eb2, G#, F2, G, A, Cm
empty heart empty heart Em7, Am, C, G, Em, Fm
empty heart empty heart E, Bb, A, F
empty heart empty heart F#m, D, Bm, Dbm, G#, E
empty heart empty heart Bb, Dm7, F, Gm, Eb
La chanson évoque un mélange de couleurs vives et inquiétantes qui symbolisent une réalité troublante et des pensées sombres. L’artiste se retrouve dans une situation de confusion et d’inquiétude, s'interrogeant sur l'état d'une personne qui lui est chère, tandis que son environnement dégage une atmosphère surréaliste. Au fil des vers, il parle de plans bien établis qui se transforment en une spirale de désespoir, oscillant entre espoir et désillusion. Le récit se termine par une tension relationnelle, où une tentative de communication se solde par un malentendu, accentuant le sentiment d'isolement. Le contexte semble se dérouler entre la recherche d'une connexion spirituelle dans une église et une plongée dans une réalité plus troublante et charnelle, symbolisée par la présence d’Angelica. C'est une lutte entre l'innocence perdue et la noirceur des pensées, un reflet de l'incertitude qui nous entoure.