City of New Orleans

Steve Goodman

Transposer:

Riding on the City of New Orleans, Illinois Central, Monday morning rail. The're fifteen cars and fifteen restless riders, Three conductors, and twenty five sacks of mail. There all along the southbound odyssey the train pulls out of Kankakee Rolls along past houses, farms and fields. Passing towns that have no name, freight yards full of old black men And the graveyards full of rusted automobiles. Singing good morning America, how are you? Don't you know me? I'm your native son! I'm just the train they call the City of New Orleans I'll be gone five hundred miles when the day is done. I was dealing cards with the old men in the club car There's penny a point, and nobody keeping score. Won't you pass the paper bag that holds that bottle   You can feel the wheels grumbling neath the floor. Sons of Pullman porters and the sons of engineers Ride their daddy's magic carpet made of steel. Mothers with their babes asleep, go rocking to that gentle beat And the rhythm of the rails is all they dream. Singing good morning America, how are you? Don't you know me? I'm your native son! I'm just the train they call the City of New Orleans I'll be gone five hundred miles when the day is done. It's night time on the City of New Orleans, We're changing cars in Memphis, Tennessee. Halfway home, and we'll be there by morning Through the Mississippi darkness rolling down to the sea. All the towns and the people seem to fade into a bad dream And the steel rail still ain't heard the news. The conductor sings that song again the passengers will please Refrain This train has got the disappearing railroad blues. Good morning America, how are you? Don't you know me? I'm your native son! I'm just the train they call the City of New Orleans I'll be gone five hundred miles when the day is done. Good morning America, how are you? Don't you know me? I'm your native son! I'm just the train they call the City of New Orleans I'll be gone long,long time when the day is done

Du même artiste :

empty heart empty heart E, A, Dbm, F#m, B
empty heart empty heart Am, E, E7, C, Dm, A
empty heart empty heart A, D, G#, F, G, C, C7, F7, Bb, A7, Dm, Fm7, Bb9, Fm6
empty heart empty heart C, G, F, Am
empty heart empty heart D, A, G, Em, C
empty heart empty heart D, Am, G, F#m, Em, A, Bm, F, C, E
La chanson évoque le voyage à bord d’un train qui traverse le Midwest américain, décrivant une journée typique sur cette ligne emblématique. Elle met en lumière les rencontres entre les passagers, comme les membres de la classe ouvrière et leurs familles, tout en soulignant le rythme de la vie sur les rails. À travers des images de paysages, de villages et de souvenirs, le narrateur s'adresse à l'Amérique en se présentant comme le fils de la nation, offrant une réflexion sur l'identité et le passage du temps. Le contexte de cette chanson se situe dans les années 1970, période marquée par des changements sociaux et économiques aux États-Unis, notamment la désindustrialisation et l’émergence de nouvelles cultures. Le train, symbole de voyage et de connexion, devient un moyen d’explorer ces transformations et d'interroger notre relation avec le pays et ses racines.