Strange Behaviour

Silverchair

Transposer:

STRANGE BEHAVIOUR Written by Daniel Johns This arrangement retains the capo to allow for the segues with surrounding songs - acoustic on recording is capoed. 4 beats per chord ` = 2 beats ’ = 1 beat (capo at fourth fret for recorded key of E) [Verse] This   is tearing me a-part  if the                             Sun won’t shine for-ever will never be fine and Un-   der-neath the hollow ground   lies a Night time sky for only a desperate eye when [Pre-Chorus](anticipated eighths) I’m para-noid I see walls behind walls behind walls  when I’m over-joyed I see falls over falls over falls  when `C7       `E           `G       `Em/B  I’m all a-lone I’ll be wary and careful to Only eat with uncles never talk to strangers God is in the kitchen faking baby dangers [Interlude]   `  ’ ’     [Instrumental]       `  ` [Verse] Change   what ever karma means   for the Only things that end never truly be-gin [Chorus]   If this street’s air ain’t up to   par I’ll take my clothes I’ll take this Strange behaviour      not only liked  but loved as well   If this street’s air ain’t up to   par I’ll take my clothes I’ll take this Strange behaviour      not only liked  but loved as well [Instrumental](anticipated eighths)                          When [Pre-Chorus](anticipated eighths) I’m para-noid I see walls behind walls behind walls  when I’m over-joyed I see falls over falls over falls  when `C7       `E           `G       `Em/B  I’m all a-lone I’ll be wary and careful to Only eat with uncles never talk to strangers God is in the kitchen faking baby dangers [Chorus]   If this street’s air ain’t up to   par I’ll take my clothes I’ll take this Strange behaviour      not only liked  but loved as well   If this street’s air ain’t up to   par I’ll take my clothes I’ll take this Strange behaviour      not only liked  but loved as well [Tag]   And if this keeps tearing me a-   part the walls come down won’t stop this Empty feeling      for everything  a-part from this                              (ritard)          (pause) [Outro](3 beats per chord - 3/4 feel) Lonely in life  dead or a-live If the truth  had in-cur- sions No more good-byes  no more big lies If the truth  had ver- sions as Long as you and I are to-gether   I’ll hold on  to the jewelle-ry like Stapled strapped clenched fist and tongs (faster) [Verse] [Instrumental]   Hang strung from an empty nest           (remainder charted separately)

Du même artiste :

empty heart empty heart D, G, A, B5, A5, D5, C5, G5, C, F, B
empty heart empty heart E, B, G, D, A, C, Cmaj7, F, Fm, Am, Eb, Bb, Db, F#
empty heart empty heart A, F, G, E, D
empty heart empty heart Am, C, F, G, G#
empty heart empty heart A, B7, Am, E, Bb, F, G, C, D, Dm
empty heart empty heart Em, Bm, D, C, Am7, D6, F#, G, Eb
empty heart empty heart C9, Am6/F#, G2, G/B, Cm9, C, F, G, Am, D7, G#, Bm, E, Fm, D, Cm, Gm, A7
empty heart empty heart E, C, Dbm, G#, A, B, G#m, Bb
empty heart empty heart Bb5, C5, D, G#, F#, B5
empty heart empty heart A, Am, E, Bb, F, G, A4, C, D, Amaj7, Bm
La chanson évoque un profond sentiment de malaise et de désillusion, comme si l’auteur ressentait une fracture intérieure constante. Il explore des thèmes de solitude et de méfiance envers son environnement, illustrant une réalité où les dangers semblent omniprésents, même dans des lieux familiers. La mention de Dieu dans un contexte de crainte renforce une lutte interne entre espoir et angoisse. Dans une ambiance saturée d'incertitudes, l'artiste aborde des mouvements émotionnels contrastés, oscillant entre joie et peur. Les paroles parlent d'un besoin de protection et de compréhension, tout en soulignant que les relations humaines peuvent parfois être précaires. Cette quête d'authenticité et de sens soulève des questions sur les apparences et la nature des interactions.