Perfect Man

Rufus Wainwright

Transposer:

____________________    / Rufus Wainwright  /  Here’s Rufus’ comment on this song on the bonus disc   / Perfect Man       /  of the album:  / Out of the Game   /  "Perfect Man; I’ve written it for Neil Tennant /___________________/  actually from the Pet Shop Boys. He thought it had too                       many chords in it which you know maybe he was right. But Mark insisted that we keep trying and now it’s I don’t know; there’s something about that track which once again is... He saw a certain brilliance in that. And other people are picking up on it as well. The other thing that’s very important about it; it’s a lovely opportunity for Martha my sister to sing back-up. She’s on every one of my records except for Lulu. But it does have a lot of chords. There’s a lot of chords in that song. And I have to learn them... Again."   1 & 2 & 3 & 4 &      Such a line indicates one bar of 4/4. The placing of the  +=---=---=---=---+    first letter in a chord name indicates when it is played. ******************************************************************************** Intro: +=---=---=---=---+ 4x +=---=---=---=---+ 4x (synth comes in) Verse: “After another production of "The Flying Dutchman"  I landed in Berlin  Thinking over it over it how can I get over it  And wonder what state I’m in  Sissi was the anarchist empress of Austria  And I was in the same state that she was in  Thinking over it over it how can I get over it  And where the hell’s that fan” +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ (2/4)    (3/4)        (2/4) +=---=---+=---=---=---+=---=---+=---=---=---=---+=---=---=---=---+ +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ (2/4)    (3/4)        (2/4) +=---=---+=---=---=---+=---=---+=---=---=---=---+=---=---=---=---+ +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ Verse: “After another induction to the hall of famine  I closed the magazine  Thinking over and over it how can I get over it  And be German and mean  Jenny was a pirate and Jane was beheaded and Nina was a sweet nymphomaniac  And with them in my corner I’m sure that it’s a tall order  To find that perfect man” +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ (2/4)    (3/4)        (2/4) +=---=---+=---=---=---+=---=---+=---=---=---=---+=---=---=---=---+ +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ (2/4)    (3/4)        (2/4) +=---=---+=---=---=---+=---=---+ +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ Chorus: “I’m doing all that I can  Trying to make all the roses bloom in unison  Say I’m gonna blow you away  Making all of the roses bloom so step away  Making all of the roses bloom” +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ 4x +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ Verse: “After another unveiling of the bright red herring  I walked down Rufus Street  Thinking over it over it how can I get over it  And where in the world will I meet” +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ (2/4)    (3/4)        (2/4) +=---=---+=---=---=---+=---=---+=---=---=---=---+=---=---=---=---+ Bridge: “That literary lean stripe suited lover  I’ve read about all of my life  Which I fear is a ruse and explains  All the walks through all the parks of Europe  And why I never will tell you "I love you"  And why there is just but  A vision of perfect man” *shuffled* +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ *straight* +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=----=---=---+                                                    (2/4) +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---+                                                    (2/4) +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---+ +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ Chorus: “I’m doing all that I can  Making all of the roses bloom in unison  Say I’m gonna blow you away  Making all of the roses bloom so step away  And be dazzled  Making all of the roses bloom” +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ 3x +=---=---=---=---+=---=---=---=---+ +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+ +=---=---=---=---+=---=---=---=---+=---=---=---=---+ ------------------------------------------------------------------------------  14th /August /12  Just mail me at with questions comments and corrections! ------------------------------------------------------------------------------ " Maitinin writing here - the author of this tab.    The past 11 years I have generated 10318000 views and 815 top-rated tabs for this site.   If you want to support an eager contributor like me check out my own site:   _____ http://www.PlayLikeTheGreats.com _____      Here I will continue to upload and improve my transcriptions.    Best regards   Maitinin                                         July 2015 "                                     

Du même artiste :

empty heart empty heart E, Bm, F#, A, B, F#m, G#m, E7, Am, G#, Am7, D, Db, Am6, Dbm7, Dbm, C, G, F, Dm7, Bm7, B7
empty heart empty heart A, D, E, A7, Dm
empty heart empty heart F, C, Gm
empty heart empty heart Gm, C5, G, G5, D, F, Eb, Bb, Cm, A
empty heart empty heart C, F, F6, E, D, Em, Dm, G
empty heart empty heart A, Amaj7, A7, Dmaj7, Dm, F, E, D, Em, F#m, B7, D7
empty heart empty heart D, A, A7, G, Em, D11, F
empty heart empty heart D, F#, Bm, E, Bb, G, F, A, A7
empty heart empty heart E, E7, A, Am, D7, Amaj7, B7, A7, Dm7, G, F#, F
Cette chanson explore la quête d’un idéal amoureux, une recherche qui semble à la fois complexe et pleine de questionnements. L’artiste évoque des moments de réflexion personnelle tout en se remémorant des figures historiques et littéraires, symbolisant l’amour et l’incompréhension. Il s’interroge sur sa capacité à trouver ce "homme parfait", tout en jonglant avec des références culturelles et des souvenirs personnels. Dans ce contexte, on ressent une tension entre le désir d’atteindre cette perfection et la réalité, souvent éloignée des idéaux. La mélodie, riche en accords, accompagne cette introspection, rendant l’expérience d'écoute d'autant plus captivante. L’élément familial se manifeste aussi, car la sœur du chanteur apporte une touche personnelle à la composition, la reliant à des souvenirs partagés.