Masterman And Baby J

Randy Newman

Transposer:

---------------------------------------------------------------------------            Masterman And Baby J - Randy Newman --------------------------------------------------------------------------- Written by: Randy Newman From: “Land of Dreams” (1988) Tabbed by: maguri Tuning: Standard --------------------------------------------------------------------------- [Intro] | N.C. | % | [C5] | [C5add7] | | N.. | % | [] | N.. | [Verse 1] N.C.  People tell me that I brag a lot ’cause I call myself the Masterman N.C.  Always talkin’ ’bout how I got dynamite in every hand hit it N.C. Me and my brother we live alone got no television got no telephone             N.C. But when we walk down the street people get out of the way They say "Here come the Masterman and Baby J"  F7sus4 "Here come the Masterman and Baby J" hit it [Interlude] | N.C. | % | % | % | Hit it [Verse 2]         N.C. When we get on the mike we’ll be number one even top D.M.C. and Run N.C. Everybody’s gonna have some fun ’cause we’re takin’ ’em all the way down       N.C. We’re takin’ ’em all the way down       N.C. Gonna rap about this gonna rap about that       N.C. Gonna tell everybody where it’s at     N.C. All over the world people gonna say You got to dig the Masterman and Baby J            F7sus4 You got to dig the Masterman and Baby J hit it [Interlude] | N.C. | % | % | % | [Verse 3] N.C. People tell me "Man you live in a dump"            N.C. "You won’t never be nothin’ but a pumped-up chump"     N.C. You got no money you got no sense           N.C. You won’t never be nothing you won’t never be nothing I say well-well-well-well [Verse 4]        N.C. When I look out my window you know what I see         N.C. I don’t see no whores in the stinkin’ street         N.C. I don’t see no drunks and junkies dying         N.C. I don’t see no bums or garbage flyin’ [Middle 8] I see me and J in the L.A. Coliseum puttin’ 100000 people on their feet And they’re laughin’ and bumpin’ and screamin’ and cryin’ and jumpin’ up on their seat And then the band begins to play and then they hush up And then the band begins to play and then they hush up And it gets real quiet in the Coliseum with the stage all dark and bare Maybe a little rain begins to fall yeah but the people stayin’ right there Then you can hear that announcer say Please welcome! (the crowd roars) Please welcome! (the crowd roars) L.A.’s own the number one The biggest the best the number one band in the USA [Outro] The Masterman and Baby J!     N.C. The Masterman and Baby J!     N.C. The Masterman ... | N.C. | % | [C5] | [C5add7] | | N.C. | % | [C5] | [C5add7] | The Masterman ... | N.C. | % | [C5] | [C5add7] | | C5 | F7sus4 | C5 | % | | C5 | F7sus4 | C5 | % | (fade out)

Du même artiste :

empty heart empty heart E, B, G, D, A, e, Dm, Am, Bb, Gm, Eb, F, C, C6, Db, A7, G#, D7, F#, B7, E7, Em6, Dbm, G#7, F7, C7, Bbm, G7, Em, Cm, G5, F5, Eb5, Emadd9, Gadd9, F#7, b6, Am7, C5, Cm7, Cm6, G#5, E5, F#5, A5, F#m7, g, f#, d, c, Cmaj7, Bm, F#m, D6, Dm6, Bm7, Em7
empty heart empty heart E, Fmaj7, A, G, Fmaj7/#11, F
empty heart empty heart Eb, Ebmaj7, Eb6, Fm7, Bb, Bb9, Bb7, G#, G, C, Fm, Dm
empty heart empty heart Am, Am7, Bb, A, E7, B, F, Dm9, Dm, G, D, Dm7, E, D7
empty heart empty heart D, A7, A, G, E, G#, B, e, D5, Bm7, F#m, F#, D7, F, Bb, Bm
empty heart empty heart F, C, F7, Bb, Bbm, Bbm13, E, D, Gm, Bbm9
empty heart empty heart C, F, G7, G#7, G, Fm, D7, D
empty heart empty heart G#m, Eb, G, D, E, C
empty heart empty heart D, G, A7, A, E7, G/B, A7/Db, Bm, A6, F#m
empty heart empty heart E, F#, A, A7, D, B7, E7, Db7, F#m, C7, D7
Cette chanson raconte l'histoire de deux personnages, Masterman et Baby J, qui se voient comme les rois de la scène musicale, prêts à conquérir le monde avec leur rap. Ils vivent dans un cadre modeste, loin des luxes habituels, mais leur confiance et leur détermination les poussent à croire qu'ils peuvent surpasser tous les autres artistes. Les paroles évoquent une montée en puissance, où chaque performance les rapproche de leur rêve, tandis qu'ils défient ceux qui les sous-estiment. Le contexte de l'œuvre reflète les aspirations d’artistes souvent issus de milieux défavorisés, mais avec un esprit de conquête intact. Ils imaginent des foules en délire, reconnaissant leur talent, et où l’excitation de la musique crée une communion entre eux et leur public. C’est une célébration du potentiel et de l'ambition face aux épreuves de la vie.