High and Dry

Radiohead

Ce chant est à 4 accords magiques! Il est montré ici dans la transposition originale: en le jouant avec des capo ou en le transposant, vous pouvez le ramener à Am, F, C, G.

Transposer:

Two jumps in a week, I bet you think that's pretty clever don't you boy Flyin' on your motorcycle, watching all the ground beneath you drop You'd kill yourself for recognition, kill yourself to never ever stop You broke another mirror, you're turning into something you are not Don't leave me high, don't leave me dry Don't leave me high, don't leave me dry Drying up in conversation, you will be the one who cannot talk All your insides fall to pieces, you just sit there wishing you could still make love They're the ones who'll hate you when you think you've got the world all sussed out They're the ones who'll spit at you, you will be the one screaming out Don't leave me high, don't leave me dry Don't leave me high, don't leave me dry Oh, it's the best thing that you've ever had The best thing that you've ever, ever had It's the best thing that you've ever had The best thing you've had has gone away Don't leave me high, don't leave me dry Don't leave me high, don't leave me dry Don't leave me high Don't leave me high Don't leave me high Don't leave me dry

Du même artiste :

Where i end and you begin

Cm, Gm, G#, Fm, Eb, Bb

Vegetable

G, F#, Em, C, A, Cm, F, Bm, D

Morning Bell

Am, Amaj7, G, D, Em, G#m, Dbm, A

Everything In Its Right Place

F, C, Db, Eb

Talk Show Host

Bm, G, Em, A, a, G5

Banana Co

Em, C, G, G/F#, Cm, C/B, Am7

You Never Wash Up After Yourself

Dm, Dm/C, Dm/G, G, C, C/B, A, F, E, Am

Cuttooth

B, A, E, F#m

I Can't

G, C, D, Em, Am

All I Need

C/E, G, C, Em, G/B, D, C9

La chanson parle de la lutte intérieure d'une personne qui cherche désespérément la validation et l'acceptation des autres, tout en ressentant une profonde solitude. Elle met en avant les conflits qui naissent lorsque l'on se sent perdu et que l'on aspire à quelque chose de plus, mais que l'on se rend compte que ce que l'on a peut disparaître. L'interlocuteur exprime une peur d’être abandonné, d'être laissé dans une situation de vide et de sécheresse émotionnelle. Le contexte semble évoquer des thèmes de vulnérabilité et de désespoir, un reflet de la condition humaine face aux défis de la vie moderne. On y trouve des allusions à des relations compliquées et aux attentes souvent déçues qui nous entourent. C'est un appel à ne pas laisser la personne seule dans ses moments critiques, à reconnaître l'importance de l'écoute et du soutien.

Le Chansonnier