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Pitbull

Ce chant est à 4 accords magiques! Il est montré ici dans la transposition originale: en le jouant avec des capo ou en le transposant, vous pouvez le ramener à Am, F, C, G.

Transposer:

Intro:        Stephen Marley let ’em know what time it is We came here to party we came here to dance You know that you’re my girl damn right I’m your man This night going too good don’t fall for the games Or the he said she said dumb shit I got a whole lot of names and a whole lot of numbers But I’d throw them away ’cause I think I might love you Could be the Mary Jane or the spell that I’m under But I know what this could be Tearing up my history for you I got I got I got I got options You the you the you the you the top one So baby baby if it ain’t a problem Can I get some of your love? I got I got I got I got options You the you the you the you the top one So baby baby if it ain’t a problem Can I get some of your love? (      ) Been around the game been around the fame Been around the money been around some names But the chico’s still the same Some things never change Here’s a tip show me your friends I’ll show you your future keep the change I’ve seen ’em come and go I’ve seen ’em sell they souls You my number one draft pick baby let’s pick and roll I always keep you up up on a pedestal Misery loves company baby Don’t sweat these hoes (      ) I got a whole lot of names and a whole lot of numbers But I’d throw them away ’cause I think I might love you Could be the Mary Jane or the spell that I’m under But I know what this could be Tearing up my history for you I got I got I got I got options You the you the you the you the top one So baby baby if it ain’t a problem Can I get some of your love? I got I got I got I got options You the you the you the you the top one So baby baby if it ain’t a problem Can I get some of your love? (      ) They looking for the perfect man They looking for the perfect life They take some perfect pics They want some perfect dick But ain’t nothing perfect girl No such thing as a perfect world These broads try hard to be Who they not and not who they are Baby you sweating what? Baby you sweating who? You talking ’bout such and such who tries to be you? Man you JFK mami you out your mind Misery loves company I’ll tell you one more time (      ) I got a whole lot of names and a whole lot of numbers But I’d throw them away ’cause I think I might love you Could be the Mary Jane or the spell that I’m under But I know what this could be Tearing up my history for you I got I got I got I got options You the you the you the you the top one So baby baby if it ain’t a problem Can I get some of your love? I got I got I got I got options You the you the you the you the top one So baby baby if it ain’t a problem Can I get some of your love? (      ) Baby you know you know we got a strong thing So stop thinking ’bout the wrong things You know you know we got a strong thing So stop thinking ’bout the wrong things I got I got I got I got options You the you the you the you the top one So baby baby if it ain’t a problem Can I get some of your love? I got I got I got I got options You the you the you the you the top one So baby baby if it ain’t a problem Can I get some of your love?

Du même artiste :

empty heart empty heart D, A, Bm, G
empty heart empty heart D, G, A, C
empty heart empty heart D, E, Db7, Bm, F#m, A
empty heart empty heart G, D, A, Bm
empty heart empty heart Bb, Cm, Dm, Eb, F
empty heart empty heart Am, D, G, Em, a, A
empty heart empty heart E, B, G, D, A, Dbm, Db5, E5, B5, A5
empty heart empty heart Ebm, B, G#m, Bbm, G#
empty heart empty heart Am, C, Dm, Em
La chanson parle d'une connexion spéciale entre deux personnes, où l'on témoigne d’une préoccupation sincère pour l'autre, malgré les distractions et les tentations qui peuvent exister autour. Le protagoniste exprime qu'il a de nombreuses options, mais qu'il ne cherche rien d'autre que l'amour de cette personne en particulier. Il met aussi en garde contre les illusions de perfection souvent véhiculées, affirmant qu'il préfère l'authenticité et la vraie complicité. Dans un contexte plus large, on pourrait dire que cette chanson évoque les défis des relations modernes, où l'on navigue entre les attentes sociales et le désir d'une connexion authentique. Elle souligne l'importance de choisir quelqu'un qui compte vraiment, plutôt que de se laisser influencer par des promesses superficielles.