Only Mama Knows

Paul McCartney

Transposer:

Only Mama Knows (Live Version) Paul McCartney [from "Good Evening New York City"] Chords:                            Legend:   Em    = 022000                     h   - hammer on   Bm    = x24432 (barre)             p   - pull off   D     = xx0232                     /   - slide up   F#m   = 244222 (barre)             \   - slide down   G     = x200xx                     ( ) - play note instead of chord   A     = x02220                     n/c - no chord (aka: off)   E     = 022100   B5    = x244xx   C#5   = x466xx  (or play C#m)   D#5   = x688xx  (or play D#m)   Em7   = 022030   Fm    = 133111 (barre) Chorus Walkup:         (#)          e|---------------|------------------|   B|-------------2-|------------------|   G|---------0---2-|-4----------------|   D|-2-------0---2-|-4----------------|   A|-2---4---------|-2----------------|   E|-0-------------|------------------|      God for-sak-en  town Note: McCartney seems to bobble the first line singing what sounds like 
"I was found in a gendry lounge…" - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Synth Strings Loop: | . . | . . | . . | . . | Intro:                                 |------------------|------------------| G|------------------|-2--0-------------| D|-------------0--2-|-------2p0-2------| A|-------0--2-------|------------------| E|-0--3-------------|------------------| Verse 1: . I was found in a transit lounge of a dirty airport town . What was I doing on the . road to ruin?  Well my mama laid me down . . . . my mama laid me down    Verse 2: . ’Round my hand was a plastic band with a picture of my face . I was crying . left to die in this God forsaken place . God forsaken place . . . Chorus: . Only mama knows why she laid me down in this God for-sa-ken town  She was running too. What she ran from though I always wondered . I never knew.  Only mama knows only mama knows Interlude:                                                     e|-------2--------7-|-------2-------|-------2--------7-|-------2-------| B|-0--3-----5--8----|-0--3-----5----|-0--3-----5--8----|-0--3-----5----| G|------------------|---------------|------------------|---------------| D|------------------|---------------|------------------|---------------| A|------------------|---------------|------------------|---------------| E|------------------|---------------|------------------|---------------| Bridge: . I’m passing through I’m on my way . I’m on the road no E.T.A.   . I’m passing through no fixed abode . and that is why . . . . . I need to try . . . . to hold on   |<>                |Em <>  |<>                 |Em <>  |<>      |  . . . . I’ve gotta hold on . . . . I’ve got to hold on . . . . Intro (Reprise):                                 |------------------|------------------| G|------------------|-2--0-------------| D|-------------0--2-|-------2p0-2------| A|-------0--2-------|------------------| E|-0--3-------------|------------------| Verse 3: . Was it planned as a one-night stand or did she leave in disgrace? . Well I’ve never . will I ever . see my father’s face? . . .    . See my father’s face  . . . Chorus: . Only mama knows why she laid me down in this God for-sa-ken town  She was running too. What she ran from though I always wondered . I never knew.  Only mama knows only mama knows Chorus: . Only mama knows why she laid me down in this God for-sa-ken town  She was running too. What she ran from though I always wondered . I never knew.  Only mama knows only mama knows Interlude (Reprise):                                                     e|-------2--------7-|-------2-------|-------2--------7-|-------2-------| B|-0--3-----5--8----|-0--3-----5----|-0--3-----5--8----|-0--3-----5----| G|------------------|---------------|------------------|---------------| D|------------------|---------------|------------------|---------------| A|------------------|---------------|------------------|---------------| E|------------------|---------------|------------------|---------------|                     (only mama knows)                  (only mama knows) Bridge (Reprise):  I’ve got to hold on . . . . I’ve got to hold on . . . .                   (only mama knows)           (only mama knows)     I’ve got to hold on . . . . Outro:                                 |------------------|------------------| G|------------------|-2--0-------------| D|-------------0--2-|-------2p0-2------| A|-------0--2-------|------------------| E|-0--3-------------|------------------| Synth Strings Loop: | - - | - - | - - | - - | Charted by Dexex Note: "DundeeShamrock" has posted a good alternative for the Intro lick if you’d prefer to play it high on the neck. I prefer to play it lower to get the growl you hear in the recording. Here’s his/her version: ----------------------------------------- g----------------------------12s14s12 d--------------------12--14-----------14p12h4 a ------10--12-12s14 E 10s12

Du même artiste :

empty heart empty heart A, F#m, E
empty heart empty heart B7, E7, G#7, A7, C7, D7
empty heart empty heart E, B, F#, E7, A, F#7, B7, F7
empty heart empty heart Eb, G#, Gm7, Cm, Bb, C, C4, C2, C7, C6, Cmaj7, G#6, Gm/C
empty heart empty heart E, A, F#m, Dbm, Em, Bm, Dm6, Bm/F, Dm6/F, A/E, Am, C, Em/A, F, Fmaj7
empty heart empty heart D, C, Am7, G
empty heart empty heart B, F#, G, A, C, E, Emaj7, E7, D, G#, Db, B5, A5, G#5, F#5, Dbm
empty heart empty heart D, A, E, C, Dbm, G6, Gmaj7, Dmaj7, Amaj7, F#m, G, Cmaj7, Em, B, F#/E, Bmaj7, G#m, Ebm, A6, G/B
Cette chanson aborde des thèmes de solitude et d’abandon. Le narrateur se remémore son passé, évoquant un moment où il se trouve dans un lieu peu accueillant, avec la sensation de ne pas être désiré. Il se demande pourquoi sa mère l’a laissé dans cette situation, tout en cherchant à comprendre ce qu'elle a fuyé. Au fil des strophes, on ressent son désespoir et son désir de réconfort, et il revient souvent à l’idée que seule sa mère détient les vérités sur leur histoire. Le contexte de cette chanson pourrait refléter un sentiment universel d'abandon et de quête d'identité, où l'absence d'une figure parentale nourrissant des interrogations sur son passé reste au centre des préoccupations. L'évoquer permet de toucher à des émotions profondes, presque primitives, qui résonnent chez quiconque a cherché des réponses sur ses origines et son parcours.