The Evil That Men Do

Iron Maiden

Transposer:

[Intro] | | | | | | Fingerstyle arrangement for the intro. Let the notes ring. B|------------------0------------0-----|------------------0-----------0-------| G|------------0---------2--0--2--------|------------0--------2--0--2----------| D|-------0h2-----2---------------------|-------0h2-----2----------------2-----| E|--0----------------------------------|--------------------------------------| e|-------------------------------------|---------------------------5---3------| B|------------------0-----------0------|-------------------3h5p3--------------| G|------------0--------2--0--2-----2---|--------------------------------------| D|-------0h2-----2---------------------|--0-----------------------------------| A|--3----------------------------------|--------------------------------------| |-------------------------------------|--------------------------------------| B|------------------0-----------0------|------------------0------------0------| G|------------0--------2--0--2---------|------------0---------2--0--2---------| D|-------0h2-----2-----------0----2----|-------0h2-----2----------------------| A|--3----------------------------------|--------------------------------------| E|-------------------------------------|--0-----------------------------------| B|------------------0------------0-----|--------------------------------------| G|------------0---------2--0--2--------|--------------------------------------| D|-------0h2-----2-----------------2---|--------------------------------------| A|--5----------------------------------|--3-----------------------------------| |-------------------------------------|--------------------------------------| [Pre-Verse] Em C x2 [Verse 1] Love is a razor and I walked the line on that silver blade Slept in the dust with his daughter Her eyes red with the slaughter of innocence And I will pray for her I will call her name out loud I would bleed for her if I could only see her now [Pre-Chorus 1] Living on a razor’s edge Balancing on a ledge Living on a razor’s edge on Balancing on a ledge Balancing on a ledge Living on a razor’s edge Balancing on a ledge you know you know [Chorus] The evil that men do lives on and on Em C Asus2 The evil that men do lives on and on The evil that men do lives on and on Em C Asus2 The evil that men do lives on and on [Verse 2] Circle of fire my baptism of joy at an end it seems The seventh lamb slain the book of life opens before me And I will pray for you some day I may return Don’t you cry for me beyond is where I learn [Pre-Chorus 2] Living on a razor’s edge Balancing on a ledge Living on a razor’s edge You know you know [Chorus] The evil that men do lives on and on Em C Asus2 The evil that men do lives on and on The evil that men do lives on and on Em C Asus2 The evil that men do lives on and on [Break] [Interlude] Em C Asus2 [Solo] F#m D Bsus2 F#m D Bsus2 [Pre-Chorus 2] Living on a razor’s edge Balancing on a ledge Living on a razor’s edge You know you know [Chorus] The evil that men do lives on and on Em C Asus2 The evil that men do lives on and on The evil that men do lives on and on Em C Asus2 The evil that men do lives on and on [Outro] The evil the evil The evil that men do The evil the evil C Asus2 The evil that men do ************************************ | h Hammer-on | p Pull-off ************************************

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Cette chanson explore la dualité de l'amour et de la souffrance, évoquant le sentiment de marcher sur un fil dangereux entre passions et désastres. Elle évoque une rencontre tragique, où la perte d'innocence et la douleur se mêlent, et où le protagoniste exprime sa volonté de protéger et de prier pour ceux qui souffrent. L'idée centrale repose sur la persistance du mal causé par les hommes, soulignant un cycle sans fin de souffrance et de rédemption. Dans un contexte plus large, cette œuvre fait écho aux luttes humaines universelles, intégrant des thèmes de sacrifice et de résilience. Elle nous rappelle que, même face aux épreuves, il existe une quête de sens et de rédemption qui peut nous accompagner.

Le Chansonnier