Not Fade Away Going Down The Road Feeling Bad

Grateful Dead

Transposer:

Band: Grateful Dead Album: Grateful Dead (aka Skull and Roses) (1971)        Recorded live April 5 1971 Hammerstein Ballroom Manhattan Center New York City Writers: Not Fade Away: Buddy Holly Norman Petty          Going Down the Road Feeling Bad: Traditional                  Arranged by Grateful Dead Note: This covers the rhythm guitar portion of this song. The chord voicings used by Bob Weir in the song       are included below however I find it sounds better using the standard voicings if playing       unaccompanied. When the Dead play the keyboards and Bass take up the lower end so Weir will generally       play higher voicings using bar chords to fill out the mix.           A   = x-0-7-6-5-5           E   = 0-7-6-4-5-4           D   = x-x-0-7-7-5           C#m = x-4-6-6-5-4           B   = x-x-9-8-7-7 [Intro 1]                                                                          (Not Fade Away) [Verse 1] I wanna tell you how it’s gonna be          You’re gonna give your love to me    I wanna love you night and day           You know my love not fade away    You know my love not fade away    Not fade away [Instrumental 1]                                          [Verse 2] My love is bigger than a Cadillac          I try to show you but you drive me back   Your love for me has got to be real          For you to know just how I feel    A love is real not fade away    Not fade away [Instrumental 2]                                                                                          (Transition: Strumming/picking pattern changes slowly)                                  (Going Down the Road Feeling Bad) [Intro 2]                                   [Chorus 1] Goin’ down the road feelin’ bad Goin’ down the road feelin’ bad Goin’ down the road feelin’ bad ya ya ya Don’t Wanna be treated this a way [Verse 3] Goin’ where the climate suits my clothes I’m goin’ where the climate suits my clothes Goin’ where the climate suits my clo----thes Don’t wanna be treated this a way [Chorus 2] Goin’ down the road feelin’ bad Well I’m goin’ down the road feelin’ bad Goin’ down the road feelin’ bad bad ya Don’t wanna be treated this a way [Instrumental 3]                                                                                                       [Verse 4] Goin’ where the water tastes like wine Well I goin’ where the water tastes like wine Goin’ where the water tastes like wi----ne I don’t Wanna be treated this a way [Chorus 3] Goin’ down the road feelin’ bad Goin’ down the road feelin’ bad Goin’ down the road feelin’ bad ya ya ya Don’t Wanna be treated this a way [Chorus 4] Goin’ down the road feelin’ bad Goin’ down the road feelin’ bad Goin’ down the road feelin’ bad bad ya Don’t Wanna be treated this a way [Chorus 5] Well I goin’ down the road feelin’ bad Goin’ down the road feelin’ bad Ya Goin’ down the road feelin’ bad ya ya ya Don’t Wanna be treated this a way [Instrumental 4] (slow into fade)                                  

Du même artiste :

empty heart empty heart A7, C, Em, D, Bm, G, A
empty heart empty heart D7, C, Bb, F, G, Bm, A, D
empty heart empty heart F#m, Gmaj7, Em, A, D, Bm, F, G#m
empty heart empty heart C, D, E, F, Bb, A, G#, G
empty heart empty heart G, E, a, A7, Am7, C, am
empty heart empty heart G, Em, C, Bm, A, E, D, Am, F
empty heart empty heart B, F#, E, Dbm, A, G#
empty heart empty heart B, C, D, Dm, F, A, E, E7
empty heart empty heart D, F, C, G, Em
Cette chanson évoque un message d'amour et de désir profond, exprimant l'engagement sincère envers l'autre. Elle illustre la promesse que cet amour perdurera malgré les difficultés, et que la véritable affection ne s'éteindra jamais. Dans un autre registre, elle fait aussi allusion à des sentiments de mélancolie et de désespoir, suggérant un voyage difficile et un besoin de changement, où le protagoniste aspire à un environnement meilleur qui lui corresponde. Le morceau, enregistré lors d'un concert à New York en 1971, mêle des éléments de rock psychédélique et de folk traditionnel, créant une ambiance unique, souvent associée à l'expérience live des Grateful Dead. Par cette combinaison, il reflète à la fois l'intensité des sentiments amoureux et les luttes personnelles, offrant une perspective riche sur les nuances de l'existence humaine.