Flying Hour

George Harrison

Transposer:

Written by: George Harrison/Mick Ralphs - 1978 outtake from the “George Harrison” sessions - From the rejected version of the album “Somewhere in England” (1981)   https://www.youtube.com/watch?v=vweHkckl_0w (for some reason the   available recording of the outtake is sped up which makes it slightly   faster and higher in pitch) - Later re-mixed and (in a slightly longer edit) released on the CD   that came with the book "Songs by George Harrison 2" (1988):   https://www.youtube.com/watch?v=-nrHmiQJA0M (this official recording is   in the proper key of E and has the correct tempo) --------------------------------------------------------------------------- [Intro]                  Lick   1 + 2 + 3 + 4 +        1 + 2 + 3 + 4 + e|----------------|     |-----(3)--------| (the slide guitar adds the 7) B|------------0-2-|     |----------------| G|----------1---2-|     |------2---------| A|--------------0-|     |0-4---0---------| |----------------|     |----------------| --------------------------------------------------------------------------- CHORDS D9        x-x-0-2-1-0 B/D#      x-6-4-4-4-x F#7       2-4-2-3-2-2 (the keyboard adds the 9: 2-4-2-3-2-4) C#m       x-4-6-6-5-4 C#m/B     7-x-6-x-5-4 C#m/A#    6-x-6-6-5-x or x-1-2-1-2-x --------------------------------------------------------------------------- [Intro]            1 + 2 + 3 + 4 + | | |          | [Verse 1]   All through my life I’ve been hearing   All about those good old days            It makes no difference What was or what may be ...            (lick) [Chorus]   The past it is go-one   The future may not be at a-all       1 + 2 + 3 + 4 +   The present improve the flying hour               [Verse 2]   Some people look into the future   They’re hoping that they’ll see better days         It’s such a sweet thought It’s something that could be but ... [Chorus]   The past it is go-one   The future may not be at a-all   The present improve the flying hour [Middle 8] What was and what may be Is not here it is not clear to me Right now is the one thing That I can feel the one thing real to me - Ooh-ooh ooh-ooh-ooh [Verse 3]   So as you sit back to remember   That which you cannot recall         It makes no difference    2/4 What was or what may be ...            (lick) [Chorus]   The past it is go-one   The future may not be at a-all       1 + 2 + 3 + 4 +   The present improve the flying hour               [Verse] (Moog solo) (Moog solo)          It makes no difference    2/4 What was or what may be ...            (lick) [Chorus]   The past it is go-one   The future may not be at a-all   The present improve the flying hour [Interlude]  (Ooh-ooh ooh-ooh-ooh)        (link) [Chorus] (in the 1987 remake only; missing from the 1980 outtake) (playback only no vocals or solo) (playback only no vocals or solo) [Interlude] (in the 1987 remake only; missing from the 1980 outtake)                                (link) [Chorus]   The past it is go-one   The future may not be at a-all   The present improve the flying hour [Interlude]                                (link) [Chorus] (Moog solo)         (Moog solo) [Interlude] = coda (Moog solo)                   (link)

Du même artiste :

empty heart empty heart F#m7, Emaj7, B7, E, F, G, Amaj7, G#m, Cm, Bm, Gm, F#m, a
empty heart empty heart F, G, A, D, E, B, Gm7, G7, C, a, B7, E7, Am, F7
empty heart empty heart C, Am, F, G, Dm, E7, A
empty heart empty heart G, D, C6, B, Em, Db, A, F#, F#m, Bm, E
empty heart empty heart D, A, E, F#m
empty heart empty heart D, F#7, C7/9, A, A6, Bm, D/Db
empty heart empty heart B, Db7, G, F#, E, A, C, B7
empty heart empty heart D, F#m, G, F#, Am, Cm, A, A6, Gm
empty heart empty heart G, A, Cm, F, Bm, D, Em, B, B7, C
empty heart empty heart G, G4, C, B, Em, Em7, A, D, C7, Am7, B7
Cette chanson nous invite à réfléchir sur le passage du temps et la nébulosité du futur. Elle évoque l'idée que le passé est révolu et que les aspirations pour l'avenir sont incertaines. L'artiste souligne l'importance de vivre pleinement l'instant présent, qui est le seul moment tangible et réel dont nous disposons. Contexte : Écrite durant les sessions de l'album "George Harrison", cette œuvre témoigne d'une période créative et introspective de l'artiste dans les années 70. Les réflexions sur la vie et le temps s'y mêlent, révélant une quête de sens et d'authenticité.