The Chamber Of 32 Doors

Genesis

Transposer:

The Chamber of 32 Doors Genesis - The Lamb Lies Down on Broadway Cory March 2012 () | 1     2   +   3     4     5   | |               #/       | |                         | |                         | |                | | %                       | | 1     2   +     3     4   +     5     | |        #/          #/    | |                              / | Ab                                Ebsus/Ab At the top of the stairs there’s hundreds of people -4--------------------------------4--------------------| -4--------------------------------4--------------------| -5--------------------------------3--------------------| -6-----------------------------------------------------| -6-----------------------------------------------------| -4--------------------------------4--------------------| Dbm                               Dbsus2 Dbm running around to all the doors. -4-----------------------------------------------------| -5--------------------------------4------5-------------| -6--------------------------------6------6-------------| -6--------------------------------6------6-------------| -4--------------------------------4------4-------------| -------------------------------------------------------| Ab                                   Ebsus/Ab They try to find find themselves an audience; Dbm                              Dbsus2 Dbm their deductions need applause. -----------------------------------------------------| -9-----9-----9-----7-----7-----7----4-----7-----6----| -9-----8-----7-----6-----6-----5----5-----6-----6----| -11----10----9-----8-----7-----7----6-----6-----6----| -11----11----8-----9-----0-----0----6-----4-----4----| -9-----8-----7-----6----------------4----------------| The rich man stands in front of me Bdim                F#/A# The poor man behind my back. F#m/A                    Adim They believe they can control the game Ab              Dbsus         Db but the juggler holds another pack. -------- I need someone to believe in someone to trust. I need someone to believe in someone to trust.                                  I’ rather trust countryman than townman You can judge by his eyes take a look if you can He’ll smile through his guard Survi- val   trains hard. I’d rather trust a man who works with his hands He looks at you once you know he understands Don’t need any shield When you’re out in the field. -------- | 1     2   +   3     4     5   |                   but down... |                    | |                         | |                         | |                | | %                       | | 1     2   +     3     4   +     5     | |        #/          #/    | |                              / | But down   here I’m so alone with my fear With everything that I hear. And every single door That I’ve walked through     #/           #/    |-7----6------7---------6-----4----4-| |-4----7------7---------7-----5----4-| |-4----6------8---------6-----6----4-| |-----------------------------6----6-| |-----------------------------4----6-| |-4----6------7---------6----------4-| Brings me     back back      here again I’ve got to find my own way. -------- Ab                 Ebsus/Ab The priest and the magician Dbm                                               sus2 Dbm Singing all the chants that they have ever heard; Ab                             Ebsus/Ab and they’re all calling out my name Dbm                                    sus2 Dbm Even academics searching printed word. My father to the left of me Bdim             F#/A# My mother to the right F#m/A                    Adim Like everyone else they’re pointing Ab                      Dbsus    Db But nowhere feels quite right. -------- I need someone to believe in someone to trust. I need someone to believe in some     one to trust. I’d rather trust a man who doesn’t shout what he’s found There’s no need to sell if you’re homeward bound. If I choose a side He won’t take me for a ride. -------- Back inside This chamber of so many doors; I’ve nowhere nowhere to hide. I’d give you all of my dreams If you’d help me Find a door That doesn’t lead me    back again take me away.

Du même artiste :

empty heart empty heart Em, G, C, Am, B/G, G5, Gadd9, Em/maj7, Em6, F#, B, D, Eb, F, Bbm, Db, F7, Bm, Bb
empty heart empty heart A, D, Em, Db, C, A7, G, B7, F#
empty heart empty heart C, F, G, Bb, Dm7, Em, Am, Dm, A, Gm7, Eb, Am7
empty heart empty heart Eb5, G#5, Bb5, Cmaj7, Ebmaj7, Bm, e, G, D, A, E, C, F#, F, B, Em, Am, Bb, F#m7, F#m6, G#, Eb, Fm, G6, Am7, F6, Cmaj9, B7, Db
empty heart empty heart C, Em, Am, G, Bb, Fm, Cm, Eb, Fm7, G#, D7
empty heart empty heart A, B, E, Dbm, G#m, Amaj7
empty heart empty heart C, F/C, F4, F, F/G
empty heart empty heart Bbm, Db, F, F7, Eb, Bb, C, D
empty heart empty heart Em, A7, D, F#m, G, C, D7, Bm, Am, A7/4
empty heart empty heart Em7, E/G#, F#m7, B6, F#m9, B7/13, E7/9, Bm, C/D, G/D, Cm, Bb, F, D/C, B, F#, Ebm, Bbm, Db, G#m7, Db/G#
Cette chanson évoque la quête d'identité et de sens dans un monde où les individus se précipitent vers des choix sans vraiment se connaître eux-mêmes. Elle décrit un lieu rempli de portes, symbolisant les différentes directions et opportunités, mais aussi la confusion et le sentiment d'isolement de l'auteur. En même temps, il ressent la pression des attentes familiales et sociales, cherchant à établir des connexions authentiques dans un environnement chaotique. Dans un contexte plus large, la chanson peut illustrer l'angoisse existentielle que beaucoup ressentent face aux décisions de la vie, aux fausses certitudes, et à la difficulté de trouver sa place parmi les exigences du monde extérieur. Elle met en lumière ce conflit entre les valeurs personnelles et les influences extérieures, tout en aspirant à une véritable confiance en soi et à des relations sincères.