Heavenly Bank Account

Frank Zappa

Ce chant est à 4 accords magiques! Il est montré ici dans la transposition originale: en le jouant avec des capo ou en le transposant, vous pouvez le ramener à Am, F, C, G.

Transposer:

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author’s own work and represents their interpretation of the # #song. You may only use this file for private study scholarship or research. # #------------------------------------------------------------------------------## Music by Frank Vincent Zappa (1941-1993) Transcribed by Jeff Langille  - () These are the chord progressions to a bunch of FZ songs that I learned so I could practice singing them.  Get the album and LISTEN for the tempo feel words/melody etc.  All the tunes in this series are _cool_ (I wouldn’t bother doing this if they weren’t) so go find’em and play’em! ============================================================================== Song : Heavenly Bank Account Album: You Are What You Is (#34 9/81) 3/4 Key of A An excellent commentary on religion and politics (this album has some of the best ever on this subject IMHO).  Its fun to sing too. The song is fairly straight-forward with only one main progression.  But the bridge fixes anyone who thought they found and easy one.  It has a steady pulse throughout (the lower staff) at the same tempo as the rest of the song but Frank decided to sing everything a bit faster just for fun I guess ;).  I have tried to notate it as clearly as possible but it simply boils down to singing in the first phrase 20 eighth notes in the space of 14 at the original tempo.  The second has 15 over 10 third has 17 over 14 and the last again has 15 over 10.  You MUST listen to the song itself to get the feel of this.  My explanation makes it sound harder than it is but I thought I’d give you my interpretation of what he’s doing for anyone else who likes to know this kind of thing..:) *The 7th bar of the VERSE (E) is in 2/4. The D#mi7b5 chord is played as follows: Play this pattern on the 8th fret (x8989x) for the Fmi7b5 in the intro. INTRO |A | |C#mi | |D | |D#mi7b5| | |A | |Fmi7b5 |F#mi |B | |D |E ||... VERSE |A | |C#mi | |D |D#m7b5 |E*   |F#mi    | |B |E |A |E | || BRIDGE |2 |3 |10 | |4 DDAA |4 DDAAAA| 8 DAAAAGADAG | ----------------------------------------------------------------- |7 |3 | | |4 |4 A D/F# |A | |4 |7 | |4 DDAADDAA |8 DDAADAG | ----------------------------------------------------------------- |5 |3 | | |4 |4 | | |2 |3 |7 | |4 DDAA |4 DDAAAA|8 DDAADAG | ----------------------------------------------------------------- |6 |3 | | |4 |4 | | |4 |7 | |4 DDAADDAA |8 DDAADAG | ----------------------------------------------------------------- |5 |3 | | |4 |4 | | Hope you enjoy this.  It is the first of a bunch I have transcribed and will probably post.  These include both CRD and TAB formats depending on the song.  E-mail me if there is a particular ZAPPA tune you would like to see.  Any comment on the transcription/analysis is _encouraged_. Jeff ^^^^ (or is it Boyd) -- ---------------------------------------------------------------------------- Jeff Langille |"...if I were standing next to you with a metronome and   ! bl !a baton (frowning and smoking a lot of cigarettes) I     | Halifax N.S. |would insist that the rhythms be accurate and that only ! !the pitches which reside outside the basic tonality       | ugrita fusft |(the original "wrong notes") could be altered." - FZappa  ! ----------------------------------------------------------------------------

Du même artiste :

empty heart empty heart E7, A7, A9, E9, B7, Bb7, G#, A, C9, B9, E, a, F#m7, G#m7, Gm7
empty heart empty heart Am, D, C, F#m, E, Db
empty heart empty heart G, C, F, Em, A
empty heart empty heart E, A, B
empty heart empty heart Em, Em7, Fmaj9, C6/9, Am9, F6/9, Bbmaj9, G#maj9
empty heart empty heart F, Gm, Cm, G#, Db, Eb, G, C, A, D, B, E, Em7, Dm7
empty heart empty heart e, B, G, D, A, E, A5, B5, C7, Bb7, B7, E5, Dbm7, F#, D5, C5, F#7, Db5, F#5
empty heart empty heart C, Em, Bb, Dm, G#, Cm, G, Fm, F
empty heart empty heart B, F#, A, E, G#m, D, Db
empty heart empty heart G, C, Am, Dm, Em, F, G7, A11, G11
Cette chanson offre une réflexion critique sur les thèmes de la foi et de la politique, soulignant l'absurdité de croire que la richesse spirituelle peut se traduire par des gains matériels. L’artiste aborde avec ironie la notion de « compte bancaire céleste » comme une métaphore des promesses faites par les institutions religieuses, tout en soulignant que ces promesses ne se matérialisent souvent pas dans la réalité. Dans un contexte marqué par des critiques sociopolitiques exacerbées dans les années 80, ce morceau s'inscrit dans un débat plus large sur la moralité et l'intégrité du discours religieux face aux enjeux matériels. L’angle humoristique et décalé de l’artiste rend son propos d'autant plus incisif, incitant à la réflexion sans manquer d'une certaine légèreté.