Clubland

Elvis Costello

Transposer:

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author’s own work and represents their interpretation of the # #song. You may only use this file for private study scholarship or research. # #------------------------------------------------------------------------------# Date: Tue 16 Dec 1997 16:55:39 -0800 (PST) > Subject: Clubland by Elvis Costello Clubland (Elvis Costello From the Album "Trust" -Words and Music by Elvis Costello) Transcribed by D. William Bennett I made some corrections to my last submission of this song. This time I think I’ve got it right. With a handful of backhanders and a bevy of beauty                      You’re going off limits Going off duty Going off the rails Going off with booty They tell tales of fiction found on all the criminal types Lead to a higher ranking man or a face with thin red stripes               Chorus: The boys next door    The mums and dads      New weds and nearly-deads              ________ B                            F#      BBEEbC# C#C#C#C# (single bass notes) Have you ever been had in Clubland? There’s a piece in someone’s pocket to do the dirty work You’ve come to shoot the pony They’ve come to do the jerk They leave him half way to paradise They leave you half way to bliss The ladies’ invitation never seemed like this                                                                           _ _  _ _ _ Chorus -> ////////////////////////#//////////                                                                  The long arm of the law slides up the outskirts of town                                                               Meanwhile in Clubland they are ready to pull them down Hey    The right to work is traded in for the right to refuse admission Don’t pass out now there’s no refund (when) Did you find out what you were missing The crowd is taking forty winks minus ten percent You barely get required sleep to go lingering with contemptment Thursday to Saturday Money’s gone already Some things come in common these days Your hands and work aren’t steady Chorus -> //////

Du même artiste :

empty heart empty heart Bm, C, G, Am, F, Dm
empty heart empty heart G, Am, C, Em, Am7, B, Cm
empty heart empty heart D, F#m, Bm7, D7, G, Em7, A, Dmaj7, Gm/Bb, Bbm, F, Am7, Dm7
empty heart empty heart D, D7, G, C, A7, A, Bm, Em, Em7
empty heart empty heart C, E, G#m, Dbm, F#, A, B
empty heart empty heart E, A, D, G, B, B7, F#, F, Am, F7, E7, Dm7, C, Fm, G#, Am6, Am7
empty heart empty heart D, A, G
empty heart empty heart G, C, D, F, E, Am, Dm, e, B
empty heart empty heart Bm, G, D, Dbm7, Dbm, F#m7, F#m, F#7, A, E, Em, Gm7, Gm9, F, Gm
Cette chanson évoque une scène urbaine pleine de contrastes et de contradictions. Elle décrit l'atmosphère d'un lieu animé où se mêlent l'irrévérence, le plaisir et les manigances. Les protagonistes naviguent entre l'illégalité et la recherche de plaisirs, souvent au prix de leur tranquillité d'esprit. On y voit des personnages ordinaires, comme des jeunes mariés ou des parents, plongés dans ce monde où les attentes et la réalité se heurtent. Le contexte semble être celui d'une vie nocturne trépidante, où les gens se perdent dans l'illusion d'une vie parfaite, tout en étant entourés par des tensions sociales et des compromis moraux. Les références à la loi et à la pauvreté de sommeil montrent que, derrière les festivités, il y a une lutte pour le quotidien. Ce contraste entre ce qui est promis et ce qui est vécu illustre bien l'expérience humaine susceptible d'aller au-delà des apparences.