Cecilia Amanda

Elliott Smith

Transposer:

Intro: d|--2--------------------------------|--2--------------------------------| A|--3--/7--7--7---5p3-5p3-5h6-6-5-3--|--3--/7--7--7---5p3-5p3-5h6-6-5-3--| F|--2--/7--6--5---3---3---3---3-3-3--|--2--/7--6--5---3---3---3---3-3-3--| C|--0---0--0--0---0---0---0---0-0-0--|--0---0--0--0---0---0---0---0-0-0--| G|-----------------------------------|-----------------------------------| D|-----------------------------------|-----------------------------------| d|--2---------------------------------------------6--5--| A|--3--/7--7--7---5p3-5p3-5h6-6---5p3-5p3-5h6-6---6--5--| F|--2--/7--6--5---3---3---3---3---3---3---3---3---7--6--| C|--0---0--0--0---0---0---0---0---0---0---0---0---8--7--| G|------------------------------------------------------| D|------------------------------------------------------| Black and blue from passing around Whitey says "the Lady ain’t a hit no more" /C Cecilia Amanda I don’t want to see you get like you got before Another patient in a party dress yesterday dancing on a remnant scratch In a place where lonely men pay to make their opposites match. d|--2--------------------------------|--2--------------------------------| A|--3--/7--7--7---5p3-5p3-5h6-6-5-3--|--3--/7--7--7---5p3-5p3-5h6-6-5-3--| F|--2--/7--6--5---3---3---3---3-3-3--|--2--/7--6--5---3---3---3---3-3-3--| C|--0---0--0--0---0---0---0---0-0-0--|--0---0--0--0---0---0---0---0-0-0--| G|-----------------------------------|-----------------------------------| D|-----------------------------------|-----------------------------------| Little Miss Amanda wants to know how long you’re going to be gone /C And she asked me can I fix it so your record plays the rest of her song Because every remembrance of you has been buried below Every memory that I unhappily know d|--2--------------------------------|--2--------------------------------| A|--3--/7--7--7---5p3-5p3-5h6-6-5-3--|--3--/7--7--7---5p3-5p3-5h6-6-5-3--| F|--2--/7--6--5---3---3---3---3-3-3--|--2--/7--6--5---3---3---3---3-3-3--| C|--0---0--0--0---0---0---0---0-0-0--|--0---0--0--0---0---0---0---0-0-0--| G|-----------------------------------|-----------------------------------| D|-----------------------------------|-----------------------------------| /F# /Bb /C I’m sorry for you and your kid /F# /Bb /C The things you promised that you never did /F# /Bb /C She asked me "Are you a pretty dancer?" /F# But I don’t think I’m going to answer oh black and blue from passing on now whitey has paid you back to your daily score /C If you got a little baby now I don’t want to see you around here no more Ah Amanda put on her new party dress yesterday dancing to a record you scratched I’m some dealing amateur actor making opposites match d|--2-------------------------------2--| A|--3--/7--7--7---5p3-5p3-5h6-6-5-3-3--| F|--2--/7--6--5---3---3---3---3-3-3-2--| C|--0---0--0--0---0---0---0---0-0-0-0--| G|-------------------------------------| D|-------------------------------------|

Du même artiste :

Somebody That I Used To Know

C, G, Fmaj7, G7, Em, F, Fm

Single File

B7, C, B, Dbm, F#, A, E, Em, G, D

A Distorted Reality Is Now A Necessity To Be Free

E, B, Dbm, D, G#m, F#, Eb, Fm, G, A, Db

From A Poison Well

D, Am, F, Em, e, f, G, E, C, B7, A

Memory Lane

Em, F, Fm7/G#, C, Fm6, E7, Am, Am7/G, G, C/B, Dm, E4, Eb5, G#5, Db5, C5, B5, Fmaj7, Db, C6/9, E/G#, C/G, D9, Fm

Georgia Georgia

D, G, C, F, A, Dm, Bb6, Gm, F#, Am7, Em7, Bb

Condor Ave

E, F, G, B, Cmaj7, C, D, Am, Bm, F#

Everybody Cares, Everybody Understands

Em, Em6, C/E, G, D/F#, F, C, B7, B7/4, B7/A, B7/G, B7/F#, A, Cm, D7, D

Im Gonna Get Crushed

D, A, C, G, Em, F, Db

Stupidity Tries

E, E7, A, Am, Dbm, B, Eb, C, G, F#, D, G#, Bb, Am7, F#7

Cette chanson évoque une certaine tristesse et une nostalgie à travers des images de solitude et de désillusion. On y voit un personnage qui s'inquiète pour une femme, prise dans un cycle de fêtes et de relations sans avenir, tout en se remémorant des souvenirs passés. Les paroles décrivent une atmosphère où les promesses non tenues et les rencontres fugaces laissent un goût amer. Le contexte semble indiquer un contraste entre la frivolité des soirées et un besoin d'authenticité et d'engagement. Le personnage exprime des regrets face à une réalité qui est loin de ce qu'elle aurait pu être, sur fond de relations superficielles où l'amour véritable semble absent.

Le Chansonnier