Big Mouth Strikes Again

Chumbawamba

Transposer:

[Intro]                                         [Verse 1] I caught you with your head down the toilet    As you were gulping up dirty words Then later dressed in suit and tie Whilst playing to the laughing crowds   You were gargling spitting fingers down your throat Making yourself so sick.     Vomiting the words that you’d sucked and slurped All over the cops at the back!     [Chorus] Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again [Interlude]                                         [Verse 2] "To" is a preposition       "Come" is a verb       "To come" is a verb intransitive To come to come      Did you come? Did you come good? (Good!) Did you come? Did you come good? (Good!) Did you come? Did you come good? (Good!) Did you come come come good? (Good!) Don’t come in me don’t come in me    Don’t come i-mi-mi-mi-mi-in me    Don’t come in me don’t come in me    It takes technique to thrill me! Did you come? Did you come good? (Good!) Did you come? Did you come good? (Good!) Did you come? Did you come good? (Good!) Did you come come come come come good? [Chorus] Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again [Interlude]                                         [Bridge]    Stepford husbands    Stepford wives       With longer scissors    Sharper knives                                            So sugar-sweet    They spend their time    As censors Working overtime                                         [Verse 3] This good-good culture     (Bullshit motherfucker bullshit) Welcome Christ judges lone ranger (Bullshit motherfucker bullshit) Padres pastors popes priests (Bullshit motherfucker bullshit) Critics comics you me (Bullshit motherfucker bullshit) [Chorus] Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again Big Mouth Big Mouth Big Mouth strikes again N.C. Big Mouth Big Mouth Big Mouth strikes again

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empty heart empty heart D, C, Bm, A, E, G, Db, Dbm, Em, Cm, Ebm
empty heart empty heart E, Em, A, Am7, Am, F, G, A7, Bm7, E7, Cmaj7, A6, C, Cm, F#, D, Bm, D9, B7
empty heart empty heart A, E, D, F#m, G, A7, D7, Dm
empty heart empty heart G, C, Am, D
empty heart empty heart C, F, G, D, A, E, Am
empty heart empty heart Bm, E, A, D, F#, F#7, F#m
La chanson aborde le thème de l'hypocrisie et des contradictions de la société moderne. Elle évoque une personne qui, tout en se faisant passer pour respectable, se livre à des comportements déroutants et dégoûtants, illustrant ainsi la façade que beaucoup portent. À travers des images crues et provocantes, elle critique ceux qui s'érigent en juges moraux tout en cachant leur propre malhonnêteté. Dans un contexte plus large, cela révèle les tensions entre les normes sociales et les vérités personnelles. L'œuvre met en lumière la manière dont la culture du bon goût peut masquer des réflexions plus profondes et moins plaisantes, comme un appel à questionner nos propres croyances et à regarder au-delà des apparences. C'est un reflet ironique de la société, mélangeant humour et critique.