Youre All Talk

Cheap Trick

Ce chant est à 4 accords magiques! Il est montré ici dans la transposition originale: en le jouant avec des capo ou en le transposant, vous pouvez le ramener à Am, F, C, G.

Transposer:

You’re All Talk - Cheap Trick -------------------------------------------------------------------------------  From the In Colour & Black and White album (1977) Obviously this was before the Tricksters were concentrating on cleaning up their image to be sweet little pop sensations in the US. This is more along the lines of their grittier first album. Tuning: Standard  First the lyrics: N/C                                        G Please don’t go Please don’t go away from me N/C                                        G Please don’t go Please don’t go away from me G-N/C etc. . . I got my breakfast in bed You’re big stuff in Chicago - so get in bed This bedroom’s only 12 by 10 You’re all talk You’re all talk I got your number for a real good time Take the phone off the hook and watch you go wild They say you go nuts and that’s what I like You’re all talk You’re all talk Please don’t go Please don’t go away from me Please don’t go Please don’t go away from me I got your number for a real good time Take the phone off the hook and watch you go wild They say you go nuts and that’s what I like You’re all talk You’re all talk You’re all talk You’re all talk You’re all talk You’re all talk You’re all talk You’re all talk The song is sung over Rick’s insistent riff At various times Tom echoes Robin’s vocal on the bass the entire song is built around Bun E. Carlos’ rolling thunder drum track You’ll really need to listen to the track to get its "feel" To help I tabbed as much of the primary riffs to assist you all in getting maximum enjoyment out of this tune. CHEERS! The MAIN RIFF: e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|------------------3-5---------------6-5-3----------------------------------| D|----5-3--5-3--5-3--------5-3-5-3-5-----------------------------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------| Repeats throughout with augmentations   One type of augmentation Rick uses: e|---------------------------------------------------------------------------| B|----------------3--5------------------------------------------------------ | G|----------------3--5---------653-------------------------------------------| D|---5-3-5-3--5-3------53-53-5-----------------------------------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------|    The "melody" line over "Please don’t go" while Rick riffs furiously: e|---------------------------------------3-----------------------------------| B|---------------------------------------0-----------------------------------| G|---------------------------------------0-----------------------------------| D|------5-------------5------------------0-----------------------------------| A|---------53------------5353------------2-----------------------------------| E|------------------------------63-------3-----------------------------------|   Descending  riff Rick uses prior to lead insanity: e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|---------------------------------------------------------------------------| D|---------------------------------------------------------------------------| A|-----0-----3-2-1---0----3-2-1------0----3-2-1------------------------------| E|---------------------------------------------------------------------------|   Lead is based around the 12th fret based around this figure: e|---------13--13--12-13--12-13-12-13--12-13-12-13-12-13-15-15--13-12-12-----| B|---------------------------------------------------------------------------| G|---------------------------------------------------------------------------| D|---------------------------------------------------------------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------| Rick uses lots of feedback and whangbar pyrotechnics throughout the lead

Du même artiste :

empty heart empty heart E, B, Dbm, A, F#, G#m7
empty heart empty heart E, B5, D5, A5, D, A
empty heart empty heart G, Em, C, D, Am
empty heart empty heart E, A, D, G, Em, A7, Am7, Bm7, Am, C, C/B, C/A, B/F#, D/C, D/F#, D/A, Gm, Bb
empty heart empty heart A, E, B, F#, A4
empty heart empty heart A, E, G, D
empty heart empty heart E, A2, B4, B, Dbm, F#m, A
empty heart empty heart A, G, F#, F, E, D, C
empty heart empty heart F, G, A, F7, D7, D, E, F#, B
Cette chanson évoque les désirs et frustrations d'une relation où l'un des partenaires semble plus intéressé par le bavardage que par l'engagement véritable. Le protagoniste exprime une certaine nostalgie et une volonté de maintenir la connexion, tout en constatant que les promesses ne se traduisent souvent pas en actions. À travers des métaphores sur la vie quotidienne et des références à des moments intimes, il souligne le décalage entre les paroles rassurantes et la réalité de la situation. Dans le contexte des années 1970, période où le groupe cherchait à s'affirmer, cette chanson reflète un son brut et énergique, rappelant l'authenticité de leurs débuts artistiques avant de devenir des figures plus "polies" de la pop. Cette tension entre l'illusion et la réalité rend le récit d'autant plus poignant.