Acoustic Medley

Bob Marley

Transposer:

Guava Jelly; This Train; Cornerstone; Comma Comma; Dewdrops; Stir It Up; I’m Hurting Inside a. GUAVA JELLY Baby I really really love you now. I think you should stop your cryin’;         Here my kerchief to dry your eyes You know that I love you yea-eah-eah. Groovy; here I am:     Come rub it ’pon me belly          Like a guava jelly. Damsel here I stand:      Come rub it ’pon me belly Like-a guava jelly.                   b. THIS TRAIN This train - mm - mm - mm; This train is bound to glory - this train; Talkin’ ’bout ma: this train is bound to glory - this train: This train is bound to glory This train carry no un’oly; This train - I’m a-talkin’ ’bout: this train.                         When I was just a kid My mommy used to sing this song. Now I’ve grown to be a man Well it still lingers deep down in my soul; I said it still lingers deep down in my soul. I’m talkin’ ’bout: this train is bound to glory - this train; This train is bound to glory - this train; This train is bound to glory O dis ’ere train carry no un’oly. This train - I’m a-talkin’ ’bout: this train.              c. CORNERSTONE The stone that the builder refuse Will always be the head cornerstone-a; The stone that the builder refuse Will always be the head cornerstone. You’re a builder baby; Here I am a stone. Don’t you pick and refuse me ’Cause the things people refuse Are the things they should choose. Do you ’ear me? Hear what I say! Stone that the builder refuse Will always be the head cornerstone-a; The stone that the builder refuse yeah! ? Will always be the head cornerstone. You’re a builder baby; Wo here I am a stone! Don’t you pick and refuse me ’Cause the t’ings people refuse Are the things they should use; The things people refuse Are the things they should use. Do you ’ear me? Hear what I say! Stone dat them builder refuse Will always be the head cornerstone-a; The stone that dem builder refuse Will always be the head cornerstone.             d. COMMA COMMA Comma comma come back here My-y young lady; Comma comma come back here to me My-y young lady yeah! Jus’ while I thought Everything was running smooth She left me While I was in the mood. Now I’m callin’ to you But my world is relying for you to: Comma comma come back here My-y young lady yeah! Comma comma come back here to me My-y young lady! Jus’ while I thought Everything was running smooth.                  (vai abaixando até parar) You know I love you; Oh now I love you. /fadeout/ e. DEWDROPS 63    -     63      52      55      42      43      42      55    -   63 Mm-mm-hm. I’ve been searchin’ the whole darn day For a little woman of mine - mine - mine - mine. Someone a-told me I could find her here But it seem she disappear. Said I searched the whole darn day; Night is drawing nigh. I t’ink I’d better go home; Try tomorrow again. But when I reached that railroad station I missed the last train And then it seemed like dewdrops Gonna fall on me; Yes it seem like teardrops Gonna call on me now. I said I’d better make up my mind What am I gonna do. Or am I gonna push on through? My mind say "Hey man ya hit the road." Down there I missed the track - track - track; I’m lost! Lord I’m lost eh! Love is such a heavy load! And then: for crying out loud come back to me! For crying out loud hear my plea! For crying out loud come back to me! Why do you treat me so bad? Why do you treat me so bad? Mm - mm - mm - mm - bam bam. Bom bom bome bome. f. STIR IT UP Let’s stir it up! Stir it up little darlin’; Stir it up. Yaga yaga. Little darlin’ stir it up. Mm. Little darlin’. It’s been a long long time Since I’ve got you on my mind o-oh. Now you are here It’s so clear: See what we could do Just you and me yea-eah! Let’s stir it up! Little darlin’ stir it up! Oh come on woman! Little darlin’ come on! Stir it up. ... Little darlin’. I’ll push the wood blaze the fire; Satisfy your heart desire. I’ll a-stir it yeah - every minute yeah! All you got to do honey Keep it in it. Let’s stir it up! Little darlin’ let’s stir it up! Little darlin’ stir it up! Oh wo - wo - wo - wo-ah li’l darlin’. Lead up now. g. I’M HURTING INSIDE When I was just a little child ’Appiness was there awhile. Then from me it slipped one day: ’Appiness come back I say ’Cause if you don’t come - come I go looking yeah! ? For ’appiness. ’Cause if you don’t come - come I go looking now! ? For ’appiness. Then together like school children Then your hurt was just in vain. Lord I’m your weary child: ’Appiness come back. Oh I ? ’Cause if you don’t come Gonna go lookin’ yeah! ? For ’appiness. And if you don’t come Gonna go lookin’ yeah! ? For ’appiness. Like Jah said I’m a-hurtin’ inside; I’m a-hurtin’ inside.

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Cette chanson évoque l'amour profond et le désir de réconfort, créant une belle atmosphère de connexion intime. On y parle de prendre soin de l'autre, de la nostalgie des moments passés et des rêves d'un avenir radieux. L’idée d’un train qui mène vers la gloire symbolise l'espoir et les aspirations, tandis que la métaphore de la pierre rejetée souligne l'importance de la valeur intérieure souvent méconnue. Le chanteur exprime également des sentiments de douleur et de perte, cherchant le bonheur qui peut parfois sembler éloigné. En conjuguant des thèmes émouvants comme la quête de l'amour et la satisfaction des désirs, la chanson devient une sorte d'ode aux relations humaines et aux défis qu'elles comportent. Les sonorités acoustiques renforcent cette ambiance chaleureuse et authentique.