Tombstone Blues

Bob Dylan

Transposer:

The sweet pretty things they're in bed now of course The city fathers they're trying to endorse The reincarnation of Paul Revere's horse But the town has no need to be nervous The ghost of Belle Starr she hands down her wits To Jezebel the nun she violently knits A bald wig for Jack the Ripper who sits At the head of the chamber of commerce Mama's in the fact'ry She ain't got no shoes Daddy's in the hallway lookin' for the fuse I'm in the kitchen with the tombstone blues Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for food I'm in the kitchen *) With the tombstone blues The hysterical bride in the penny arcade Screaming she moans "I've just been made" Then sends out for the doctor who pulls down the shade Says "My advice is to not let the boys in" Now the medicine man comes and he shuffles inside He walks with a swagger and he says to the bride "Stop all this weeping swallow your pride You will not die it's not poison" Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for food I'm in the kitchen With the tombstone blues Well John the Baptist after torturing a thief Looks up at his hero the Commander-in-Chief Saying "Tell me great hero but please make it brief Is there a hole for me to get sick in?" The Commander-in-Chief answers him while chasing a fly Saying "Death to all those who would whimper and cry" And dropping a bar bell he points to the sky Saying "The sun's not yellow it's chicken" Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for food I'm in the kitchen With the tombstone blues The king of the Philistines his soldiers to save Puts jawbones on their tombstones and flatters their graves Puts the pied pipers in prison and fattens the slaves Then sends them out to the jungle Gypsy Davey with a blowtorch he burns out their camps With his faithful slave Pedro behind him he tramps With a fantastic collection of stamps To win friends and influence his uncle Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for food I'm in trouble With the tombstone blues The geometry of innocent flesh on the bone Causes Galileo's math book to get thrown At Delilah who's sitting worthlessly alone But the tears on her cheeks are from laughter Now I wish I could give Brother Bill his great thrill I would set him in chains at the top of the hill Then send out for some pillars and Cecil B. DeMille He could die happily ever after Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for food I'm in the kitchen With the tombstone blues Where Ma Raney and Beethoven once unwrapped their bed roll Tuba players now rehearse around the flagpole And the National Bank at a profit sells road maps for the soul To the old folks home and the college Now I wish I could write you a melody so plain That could hold you dear lady from going insane That could ease you and cool you and cease the pain Of your useless and pointless knowledge Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues

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Cette chanson évoque une série de scènes désabusées et surréalistes, où les personnages semblent piégés dans une réalité triste et chaotique. On y trouve des allusions à une société en déclin, où les rêves et les espoirs se heurtent à des difficultés économiques et à la désillusion. La figure d’une mère travaillant dans une usine, le père cherchant de la nourriture dans la rue, ainsi qu'une ambiance de désespoir omniprésente, illustrent un quotidien accablant. Les personnages historiques et fictifs croisés dans le récit, comme Jean-Baptiste ou Delilah, ajoutent une dimension critique, soulignant l'absurdité et l'ironie de leurs situations. Dans l'ensemble, le tout crée une atmosphère troublante, entre humour noir et mélancolie, qui met en lumière les luttes de la vie moderne face à la misère et à l'aliénation.