I Contain Multitudes

Bob Dylan

Transposer:

Accords : C6 : x-3-2-2-1-0 G/B : x-2-0-0-3-x C7(dim) : x-3-4-2-4-2 Em : 0-2-2-0-0-3 C/G : 3-x-2-0-1-0 Eb7(dim) : x-x-1-2-1-2 F/C : x-3-x-2-1-1 E7/G# : 4-x-0-1-0-0 G#(aug) : 4-x-2-1-1-x Am/F# : 2-x-2-2-1-x D7/F# : 2-x-0-2-1-2 | | | | | Today tomorrow and yesterday too The flowers are dyin' like all things do Follow me close I'm going to Ballinalee I'll lose my mind if you don't come with me I fuss with my hair and I fight blood feuds I contain multitudes Got a tell-tale heart like Mr. Poe Got skeletons in the walls of people you know I'll drink to the truth and the things we said I'll drink to the man that shares your bed I paint landscapes and I paint nudes I contain multitudes Red Cadillac and a black moustache Rings on my fingers that sparkle and flash Tell me what's next? What shall we do? Half my soul baby belongs to you I rolic and I frolic with all the young dudes I contain multitudes I'm just like Anne Frank like Indiana Jones And them British bad boys The Rolling Stones I go right to the edge I go right to the end I go right where all things lost are made good again I sing the songs of experience like William Blake I have no apologies to make Everything's flowing all at the same time I live on the boulevard of crime I drive fast cars and I eat fast foods I contain multitudes Pink petal-pushers red blue jeans All the pretty maids and all the old queens All the old queens from all my past lives I carry four pistols and two large knives I'm a man of contradictions I'm a man of many moods I contain multitudes You greedy old wolf I'll show you my heart But not all of it only the hateful parts I'll sell you down the river I'll put a price on your head What more can I tell you? I sleep with life and death in the same bed Get lost madam get up off my knee Keep your mouth away from me I'll keep the path open the path in my mind I'll see to it that there's no love left behind I'll play Beethoven's sonatas and Chopin's preludes I contain multitudes

Du même artiste :

Long and Wasted Years

A9, E, E11, A2, E7, A

Red Cadillac And A Black Moustache

C, Am, F, G, C7, D7

Sad-Eyed Lady of the Lowlands

D, A, G, Em7, A7, Em, F#m

Pretty Boy Floyd

G, C, e, A, D

Foot of Pride

B5, E5, B, G#m, E, E7

John Wesley Harding

G, C, A, D, G7

O' Little Town of Bethlehem

D, G6, D/A, A7, D/C, B7, Em, F#, Bm, Em/G, G, Eb, Fm/Bb, Gm/Bb, Fm/Ab, Eb/Bb, Bb7, Eb/Db, C7, Fm, G#, Cm, Ab/Eb

High Water For Charley Patton

G, F5, F#5, C

Heart of Mine

A, D, D6, Dmaj7, D/A, A/E, E, E/A

Thirsty Boots

G, Bm, Am, D, Em, C

Cette chanson évoque une profonde introspection de l'identité humaine, où l'auteur explore les multiples facettes de sa personnalité. Il reconnaît ses contradictions, ses passions et ses souvenirs, tout en faisant référence à des figures emblématiques de la culture. À travers des images puissantes et des métaphores, il illustre comment il se sent à la fois lié aux ombres de son passé et transporté par ses désirs présents. Le contexte pourrait toucher à la dualité de la vie moderne, où chacun de nous est un mélange de souvenirs, de rêves et de réalités parfois difficiles à accepter. Ce voyage intérieur révèle également une tension entre le désespoir et l'espoir, l'amour et la haine, rendant l’authenticité de ses émotions palpable.

Le Chansonnier