Rolling Like A Rock

Alborosie

Ce chant est à 4 accords magiques! Il est montré ici dans la transposition originale: en le jouant avec des capo ou en le transposant, vous pouvez le ramener à Am, F, C, G.

Transposer:

Key: Gm. There are multiple parts and guitar lines that you can play. There’s rhythm | throughout the song). And there’s a muted guitar line that plays along with the bass line (in a loop):  e:------------- b:------------- g:------------- D:--5-5---3-3-3 A:-----555----- E:-- ---------- During the <i>Chorus</i> another guitar line gives accents to the tones of Alborosie’s vocals: e:------------- b:--------4-3-- g:----5/7----5- D:------------- A:------------- E:------------- Listen to the song for the exact timing.   Repeat: | throughout the song.   (intro acapella) A jamaica puppa live so you know a thing’s run   no fi on stars thirst fi blood and kill di fifull   mummy nah cu mi di nah while mi a string out di song   yes our music can be deadly! Dj listen and learn I’m rolling like a rock (please step away)   rolling like a rock (don’t get in my way) rolling like a rock (bum shakalak)   rolling like a rock ( mi na take no talk) I’m rolling like a rock (please step away)   rolling like a rock (don’t get in my way) rolling like a rock (bum shakalak)   rolling like a rock ( mi na take no ehh..   (Verse) Boy come a Jamaica fill same at di praise lack   we don’t see sufferation near the real rapapam And nevva memba said we a spread di Markus talk   who fi dead a go dead and who fi walk must walk Sibilidondon sibilidondon it’s bad man tone ya so named jah jah tone   boy ya move busty put some level pon your sound   keep your mouth on ya face and keep your feet pon di ground I’m rolling like a rock (please step away)   rolling like a rock (don’t get in my way) rolling like a rock (bum shakalak)   rolling like a rock ( mi na take no talk) I’m rolling like a rock (please step away)   rolling like a rock (don’t get in my way) rolling like a rock (bum shakalak)   rolling like a rock ( mi na take no ehh..   (Verse) bum bamba                 dem nevva expect di kian kali come back and lock di tone  all police boy dem could dem move dem na go lock off mi sound  mi kill silectah many dj blood just splash at ground   let me finish with dem full dehdeh mi packs (?.)  that is why raggamuffin’ is my dirty style in a sound war mi ah start war mi a di top Jedi! Yakuza Kamizake Ninja Samurai!   Mi murder DJ bwoy from J.A. to Shangai I’m rolling like a rock (please step away)   rolling like a rock (don’t get in my way) rolling like a rock (bum shakalak)   rolling like a rock ( mi na take no talk) I’m rolling like a rock (please step away)   rolling like a rock (don’t get in my way) rolling like a rock (bum shakalak)   rolling like a rock ( mi na take no ehh..   (Verse) eh? I’m di third generation from King tobi’s tribe   what a house de mi seh so just want belong Ile Pupa muffin and king drummist dem nah take no side  di walla dem passy wall dem affi run from mi sight Meet on a berlin and kill the german sound  chant to Italy and murder Vatican sound   mi left di prince in England with no Buckingham crown france tone longtime mi tek way you crown (Acapella) Some bwoy dem come a Jamaica   a dem a gwan like dem really bad   tru dem nevva talk to the real kian kali But sekkle on di sokkle I’m rollin like a rock? (Outro: Chorus without Alborosie’s vocals) I’m rolling like a rock (please step away)   rolling like a rock (don’t get in my way) rolling like a rock (bum shakalak)   rolling like a rock ( mi na take no talk) I’m rolling like a rock (please step away)   rolling like a rock (don’t get in my way) rolling like a rock (bum shakalak)   rolling like a rock ( mi na take no ehh..

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Cette chanson évoque la force et la détermination de l'artiste, qui se présente comme un rock solide qui avance sans se laisser distraire. Il parle de la réalité de la vie à Jamaica, des luttes et du fait de rester fidèle à soi-même, malgré les obstacles et les critiques. L’artiste exprime un sentiment de fierté et d'authenticité, tout en mettant en avant l'importance de sa musique comme un moyen de résistance et de communication. Le contexte se réfère à la culture reggae et à l’identité jamaïcaine, avec des références à des luttes sociales et à une atmosphère de défiance envers ceux qui voudraient l’arrêter. C’est un hommage à la résilience et à la passion de la musique qui transcende les difficultés du quotidien.